Stead

Disparity in Garfield: Gio Cobos

Disparity is often seen as division. But it's also the heartbeat of contrast that shapes humanity. In the Japanese art of Wabi-sabi, beauty is found in our imperfections, in being not quite symmetric, in the passage of time, and in embracing disparity as essential, not flawed. Our science even mirrors this, from entropy in our physics to the genetic variants in our biology, disparate things drive evolution and discovery. It is the tension between order and chaos that births innovation and balance. By observing the disparate, we decode the world's rhythms, its seasonal cycles, population shifts, and climate change. Those rhythms are not uniform. They are rich in fluctuation, and that richness is what makes disparity not just a challenge to decode, but also a pretty effective lens.

10th Grade Miniature Musem
  1. Intro
  2. African Arts
  3. Yoruba Art: Mateo Balderrama
  4. African Fabrics: Theo Madueke
  5. Humans
  6. Disparity in Garfield: Gio Cobos
  7. Humanity: Cris Reza
  8. Video Games
  9. Solo Leveling: Fernando Ceniceros and Jared Rosales
  10. PlayStation: Roman Graves
  11. The Brain
  12. Mental Growth: Melody Clement
  13. Emotions: Taryn Cordova and Maya Yzaguirre
  14. Psychology: Abigail Swinford
  15. Stress and Anxiety: Ayden Tuttle
  16. Feelin' It: Elle Johnson
  17. Parenting Fails: Destiny Sanchez
  18. Addiction: Bird Peterson
  19. Animals
  20. Jellyfish: Malik Davis
  21. Sharks: Cassidy Lyons
  22. Man's Best Friend: Vance Razo
  23. Famous Figures
  24. Van Gogh: MJ Gallegos
  25. MVP Trophy: Sergio Molina
  26. Swiftly Swifty: Dillan Govan
  27. Hobbies
  28. Gone Fishin': Dom Ortiz
  29. Music: Hiromi Armendariz and Allison Henriquez
  30. Photography: Crystal Roman
  31. Travel: Noemi Payan
  32. Motorcycles: Kayla Cole
  33. Miscellaneous
  34. Mythology: Mari Antonetty
  35. Beauty Standards: Payton Lower
  36. Space Rocks: Ian Gilliana and Adliee Vermilyen
  37. Nothingness: Jaxon Brenckle
  38. Flowers: Ayzel Flores
  39. Banana: Tyler Neal
  40. Conclusion