I make elegant collages with salvaged materials, collected from my daily life and wanderings. I'm most attracted to imagery that yields great color, texture or shape. Much of this content comes from areas that were not intended to be the subjects of a photo I may be evaluating. I think that's largely because my artist uncle taught me to draw by studying the negative spaces around a subject and I continue to incorporate that way of seeing and thinking in my collage work.
This series was inspired by the work that I've been doing in my collage diary in recent years. I wanted to explore that sensibility of dynamic composition and scale it up to create larger, more refined, collage images.
Unlike many collage-makers, I don't use scissors. I use torn elements in my work because I like the organic edges and exposed paper fibers -- as well as the immediacy of the ripping, which has become an artistic gesture akin to drawing for me. So the only straight lines you'll see are the edges of a page that may have been incorporated or a straight line that's found within an image.
I continue to be fascinated by how diverse fragments can be arranged and pushed into relationship with each other, creating entirely new imagery.